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Oil on canvas
21 x 28
Avital lived in an apartment that was a haute couture atelier, which had many mannequins and three-way mirrors. (ARS1293)
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Oil on canvas
22 x 20
When Avital returned to New York from Paris in 1951, she showed this painting to art critic and historian Meyer Schapiro, who admired it. (ARS1308)
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Oil on canvas
18 x 24
(ARS2132)
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Oil on canvas
18 x 24
Avital lived in an apartment that was a haute couture atelier, which had many mannequins and three-way mirrors. (ARS1584)
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Pencil
9 x 12
(ARS1537)
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Pen and ink
9 x 12
(ARS1538)
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Pencil
9 x 12
(ARS1539)
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Pencil
9 x 12
(ARS1541)
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Pencil
24 x 20
(ARS1493)
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In 1950 when Avital was in Paris on her Fulbright Scholarship she lived in an apartment that belonged to a friend of her family. The apartment was in a wonderful neighborhood and had many mannequins and three way mirrors.
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
Oil on canvas
21 x 28
Avital lived in an apartment that was a haute couture atelier, which had many mannequins and three-way mirrors. (ARS1293)
Oil on canvas
22 x 20
When Avital returned to New York from Paris in 1951, she showed this painting to art critic and historian Meyer Schapiro, who admired it. (ARS1308)
Oil on canvas
18 x 24
(ARS2132)
Oil on canvas
18 x 24
Avital lived in an apartment that was a haute couture atelier, which had many mannequins and three-way mirrors. (ARS1584)
Pencil
9 x 12
(ARS1537)
Pen and ink
9 x 12
(ARS1538)
Pencil
9 x 12
(ARS1539)
Pencil
9 x 12
(ARS1541)
Pencil
24 x 20
(ARS1493)
In 1950 when Avital was in Paris on her Fulbright Scholarship she lived in an apartment that belonged to a friend of her family. The apartment was in a wonderful neighborhood and had many mannequins and three way mirrors.